Fabfilter one review Pc#

The latter allows you to shape the frequency balance of the reverb. Pro-R offers two envelopes: one in blue and another in orange. The real fun, however, lies below.Īs with other FabFilter plug-ins, such as the Pro-Q 2 and Pro-MB, the main area of the display provides a frequency graph, where breakpoint envelopes can be added to shape your reverb's tone. This is perfect for making subtle reverbs that know when to stay out of the way. The Chorus option within the Character dial thickens the reverb nicely, producing a thick, super-lush sound, while Darker reverbs, available via the Brightness dial, let you bury longer treatments under the tone of the source sound. With these dials alone, you can create a dizzying array of reverberant spaces with real individuality.

Finally, there's a Mix dial and a Lock button, which, when activated, preserves the current Dry/Wet balance as you flick through presets. The penultimate dial controls Stereo Width, with a Mono mode opening out to an ultra-wide Spacious stereo, if you want the reverb to become fully cinematic. The first offers a Decay Rate, which runs from 50% through to 100% and 200%, meaning that the 10-second maximum reverb time can actually be enhanced to 20 seconds with the Decay Rate turned up. To the right of this dial are three more customisable options.

Interspersed around the outside of this dial are small, orange symbols that give a sense of the dimensions of the space you're designing, with a cathedral-like icon being the most extreme setting. In the middle is the Space dial, which lets you choose the length of the reverb, from a time of 0.2 through to 10 seconds. The Distance dial lets you choose a position between Close and Far, effectively moving the source sound between the front and back of the reverberant space you're designing. In the left-hand corner, you can control Brightness (from Dark to Bright) and Character, which transitions smoothly between Clean, Lively (which introduces gentle echoes) and Chorus (for dreamy, thick treatments) settings. The interface's main colour is midnight blue, though there are prominent orange and blue lines through the middle. Along with everything from convincing, ambient spaces to longer, cavernous effects, it has some aces up its sleeve, especially if crafting a bespoke reverb treatment from scratch appeals to you.

Fabfilter one review Pc#

Rather than offering a fixed number of bands, each saddled with the weight of multiple parameters (like the majority of multiband compressors), it greets you with an empty template, making it easy to add bands only in the frequency areas where you need them.įabFilter's newest plug-in, the Pro-R Reverb (available in the usual Mac and PC formats), is no exception, but it also covers new ground for the company, offering a flexible spatial processor. Their approach to the often thorny issue of multiband compression, in the form of the Pro-MB, is perhaps the best example of this. But this simplicity is paired with a high level of flexibility and, above all, a great sound. They look beautiful, offering a pared-down but colourful and intuitive graphical interface.

FabFilter's plug-ins have always blended the best of form and function.